Makara Buddha
I consider this one of the best pictures I have had the privilege to paint. I was given the confidence to paint it after spending some time with a noted icon painter. Her name was Di and she was as irreverent as she was audacious. She had been to Greece to study the iconography that preceded the Iconoclastic Controversy and I had attended one of her classes where she painted using egg tempera on gold leaf.
She taught me the true value of the Phi (Golden Ratio) pattern, not only in the human face, but in all of God’s creation. When I had finished this portrait of Gautama Sakyamuni, the Buddha of the Noble Eight-fold Path of Suffering, I gave it to by now aptly named Lady Di.
How did the Buddha come to Be in this piece. I had been in a rogaining event – night navigation sport – that coursed over Makara Peak, Wellington. In a moment of samadhi I imagined that I was Buddha on a bicycle recklessly tearing down the Makara Peak bike trails in search of ‘Em-bike-enment’. I painted that with due irreverence but knowing that I would have to back up later and paint a more serious piece.
I took the event map with all the checkpoints from the night rogaine printed on it and started to paint. Up near the map title ‘MAKARA’ a lone mountain biker features in the internal of the reclining Buddha in nirvana meditation pose. The Phi swirl took over and Buddha’s face took shape and in his inner thoughts he saw another incarnation of Himself and pondered on all the great religious paths of the world. I have included a few of these on his chest, suggesting that that are being activated in charkas within. The enlightenment is signified by the blood symbolically oozing from his third-eye charka (the pineal gland of humans responsible for Other Worlds communication). No, it is not an injury sustained in some mountain biking en-bike-enment misadventure.
Last I heard the original was rolled up and stored somewhere in a bach near the Rakaia river mouth.
Acrylic, oil, pencil, glitter, greenstone, gouache, gold leaf, collage on Makara Peak regaining map, 2006

Makara Buddha
I consider this one of the best pictures I have had the privilege to paint. I was given the confidence to paint it after spending some time with a noted icon painter. Her name was Di and she was as irreverent as she was audacious. She had been to Greece to study the iconography that preceded the Iconoclastic Controversy and I had attended one of her classes where she painted using egg tempera on gold leaf.
She taught me the true value of the Phi (Golden Ratio) pattern, not only in the human face, but in all of God’s creation. When I had finished this portrait of Gautama Sakyamuni, the Buddha of the Noble Eight-fold Path of Suffering, I gave it to by now aptly named Lady Di.
How did the Buddha come to Be in this piece. I had been in a rogaining event – night navigation sport – that coursed over Makara Peak, Wellington. In a moment of samadhi I imagined that I was Buddha on a bicycle recklessly tearing down the Makara Peak bike trails in search of ‘Em-bike-enment’. I painted that with due irreverence but knowing that I would have to back up later and paint a more serious piece.
I took the event map with all the checkpoints from the night rogaine printed on it and started to paint. Up near the map title ‘MAKARA’ a lone mountain biker features in the internal of the reclining Buddha in nirvana meditation pose. The Phi swirl took over and Buddha’s face took shape and in his inner thoughts he saw another incarnation of Himself and pondered on all the great religious paths of the world. I have included a few of these on his chest, suggesting that that are being activated in charkas within. The enlightenment is signified by the blood symbolically oozing from his third-eye charka (the pineal gland of humans responsible for Other Worlds communication). No, it is not an injury sustained in some mountain biking en-bike-enment misadventure.
Last I heard the original was rolled up and stored somewhere in a bach near the Rakaia river mouth.
Acrylic, oil, pencil, glitter, greenstone, gouache, gold leaf, collage on Makara Peak regaining map, 2006
Camera: Fujifilm (Finepix S20pro ) |
Original size: 2647px x 1758px |
Current: 400px x 266px |
Other sizes:
Small
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M •
L •
O |